装置艺术--威尼斯国际建筑双年展，“处女花园”装置设计
As one of three architectural teams to design the Chinese Pavilion, OPEN focused on the outdoor pavilion in the virgin garden.
作为受邀设计本届威尼斯双年展中国馆的三家建筑团队之一，OPEN主要负责位于“处女花园”的室外装置设计。
In response to the Chief Curator Rem Koolhaas' theme of “Fundamental” and “Absorbing Modernity”, as well as Chinese Pavilion Curator Jun Jiang's theme of “Mountains beyond Mountains”, OPEN's installation "Garden in the Garden” reinterprets the Chinese concepts of "wall", "garden", "pavilion”, “house" and "standardized building system".
为了回应总策展人库哈斯提出的总题“基本法则”和“吸收现代性”，以及中国馆策展人姜珺提出的“山外山”主题，OPEN设计的“园中之园”装置试图重新阐释中国的“宅”“院”“墙”“廊”“亭”以及“系统化建设”概念。
The installation employs lightweight industrial materials in a subtle but playful manner which captures the interplay of light and shadow, within abstract geometry of golden sections.
整个装置是基于黄金分割的几何体系，由工业化材料构成含蓄但有趣多变的组合，生动地捕捉光与影之间的游戏。
The “walls” here are both spatial divides and inhabitable spaces with functions, by the virtue of gradually increased cavities between the inner and outer surfaces. The very definition of wall is blurred.
这里，“墙”既是“内”与“外”的空间隔断，又通过其间空腔的逐渐扩大成为承载功能的空间本身。墙的定义在此模糊。轻质标准化的钢骨架，基于建造模数被赋予丰富的变化。
The skeletons are made of modular light-gauge steel frames configured in various ways. The surfaces are created by wrapping industrial elastic bands on the skeletons. Employing different ways of weaving together the elastic bands, the “walls” are given varied degree of transparency and opacity, creating interesting links between the sceneries of the garden outside and the garden inside.
在钢结构之外，是由工业弹性绷带缠绕形成的立面。绷带的不同缠绕方式，其有无和疏密交错，使立面拥有不同的透明性，映射出内部功能的同时，使院内院外的景色产生有趣的对话。
One part of the façade is completely opened up to the beautiful view of the undulating greenery and the towers of the church beyond. The juxtaposition of the old and new, eastern and western garden elements, create exciting moments beyond nature itself.
局部立面完全开敞，处女花园中起伏的绿地、远方的教堂穹顶及钟楼被借入园内，并存于一片东方园林之间，产生超自然的张力。
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